Category Archives: Batman

Episode 23: Batman Begins

Every story has a beginning and an ending, and this week on the podcast, I am doing both. This is the podcast’s season finale: Christopher Nolan’s extremely silly superhero reboot Batman Begins!

It’s the story of an irresponsible young man who falls down a well and never really gets back up. He spends most of act 1 in an exploding ninja factory, then goes home and discovers that somebody’s been inventing Batman stuff the whole time he was away. Listen to the show and find out how it all comes out!

The podcast is available on Spotify, Apple Podcasts, Google Podcasts, YouTube, Overcast, Audible and lots of other places.

Like I said, I’m taking a season break after this week’s show. If you want to be notified when I’m back, either with blog posts or podcast episodes, then you should sign up for the mailing list here, follow Superheroes Every Day on X/Twitter or Facebook, or subscribe to the podcast on Spotify!

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Episode 21: Justice League

Well, it had to happen eventually. This week on the podcast, I’m talking with movie and arts critic Robert Faires about Joss Whedon’s Justice League, the 2017 Frankenstein creation that merged Zack Snyder and Joss Whedon’s sensibilities to the satisfaction of no one.

The first act’s a little longer than usual, because we have so much to talk about: the parademon scratch-off game, terrorists with a vague agenda, fish with fomo, the fruit-kicking crime spree, and the blind spot that both Zack and Joss seem to have when it comes to the definition of “heroes”. Join us on this journey, as we try to make sense of it all.

The podcast is available on Spotify, Apple Podcasts, Google Podcasts, YouTube, Overcast, Audible and lots of other places. Come check it out!

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Episode 20: Batman & Robin

Well, we all knew it would happen eventually — if I kept on doing the podcast, I would inevitably end up discussing the unappreciated 1997 Ice Capades show, Batman & Robin. Fortunately, I found a great partner for the adventure: graphic designer, author and publisher Stuart Manning, who unironically loves this not-actually-worst movie, and was willing to dig into the good (Mr. Freeze) and the terrible (oh, lots of things) to figure out what makes this eccentric and toyetic film such a pleasantly bewildering experience.

The podcast is available on Spotify, Apple Podcasts, Google Podcasts, YouTube, Overcast, Audible and lots of other places. Come check it out!

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Episode 12: Batman v Superman: Dawn of Justice

The year was 1986, and two of the comics industry’s powerhouse creators — Frank Miller and Alan Moore — were busily deconstructing the dominant discourse around superheroes, poking at their flaws and suggesting a less sanitized, and more actively political way of thinking about them.

Alan Moore’s Watchmen and Frank Miller’s The Dark Knight Returns broke the rules of mainstream comic books, presenting complex takes on how modern society might actually respond if handsome gods fell from the sky, and vengeful vigilantes emerged from the shadows. They argued for a darker and more mature style of comics, with morally ambiguous heroes operating in a fallen world.

And then there’s Zack Snyder, who came along in the mid-2010s with the idea of taking scenes that he liked from The Dark Knight Returns and Watchmen, and stringing them together without thinking much about what they actually meant.

As we can see in 2016’s high-flying failure Batman v Superman: Dawn of Justice, Snyder mostly likes the growling and the punching, in a doomed world where strength is everything. Snyder’s characters are obsessed with dominating every situation that they’re in, from Batman vowing to make Superman bleed, all the way down to Perry White telling Clark Kent to shut up and write about sports.

This week on the podcast, I’m joined by Stephen Robinson from the hilarious political website Wonkette and the podcast The Play Typer Guy to deconstruct this deconstruction, and figure out why audiences didn’t take to this cartoon character fight club between superheroes that we can hardly recognize.

The podcast is available on Spotify, Apple Podcasts, Google Podcasts, YouTube, Overcast, Audible and lots of other places. Come check it out!

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Episode 4: Batman Forever

Ah, I remember the good old days, when the tail wagged the dog so hard it had to go and get a spare dog.

This week on the podcast, Ryan Roe from the Muppet movie podcast Movin’ Right Along joins me to discuss Batman Forever, the 1995 film that set new standards for movie merchandising. We talk about the stars of the film — McDonalds and Kenner Toys — and also, to some extent, the actual movie.

Batman Forever features an unforgettable Jim Carrey as not-quite-the-Riddler and a shouty Tommy Lee Jones as not-really-Two-Face, and involves no actual crime-fighting on Batman’s part. I thought that stories were supposed to feel perfect and powerful, but this turns out to be the other kind.

The podcast is available on Spotify, Apple Podcasts, Google Podcasts, YouTube, Overcast, Audible, Stitcher and lots of other places. Come check it out!

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The Batman: This Would Be a Good Town Not to Be From

At this point in the blog, Superman II has two current plot tracks. In one thread, three powerful, untouchable people drop from the sky, and immediately start exploiting and gentrifying, destroying both the environment and the economy of a struggling rural town. Meanwhile, nerdy Clark Kent finally gets a date with the girl he’s been crushing on by revealing to her that he’s secretly rich and famous, and now he’s whisking her off to the ice mansion party palace that his dad built for him.

In other words, Superman II is a movie about white people.

Now, obviously, that’s not unique for the genre. It turns out that big-ticket superhero movies tend to be produced by rich white people, so they’re usually about an individual or a small group of people who become immensely powerful, often from birth or by accident, who then battle the forces of disruption and social change, in service of the status quo.

And then there’s The Batman, which is all about how terrible white people are. And I have to say, it makes a compelling case.

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