And we take you now to scenic Hoover Dam, where perpetual cub reporter Jimmy Olsen is taking photographs of Hoover Dam, which you’d figure has already been pretty comprehensively photographed. It’s not much of a scoop, for a young man trying to make his way in the photojournalism racket, but he got a free airplane ride, and it’s just nice to get out in the fresh air.
Storywise, there isn’t a lot of justification for depositing Jimmy on top of this particular explodable landmark, but this is the part of the movie where they want to get as many peril monkeys on the board as they can. We’ve also got Lois having a scenic conversation with a scenic Native American gentleman, en route to the explodable gas station.
The real question is why we even have a Jimmy Olsen in this movie in the first place, if he’s not going to be involved in the plot in any way. This question also applies to Superman II, Superman III, Supergirl and Superman IV: The Quest for Peace. In fact, Jimmy Olsen is the only character to appear in all five of the Salkind Superman films, and he doesn’t have a single discernible plot point in any of them.