As the ground pitched and buckled, Jor-El and Lara moved together across the floor of the great hall of Kryptonopolis. There was nowhere they could go; Jor-El knew that better than anyone. He’d tried to warn them, and had suffered for it.
The dying planet was in its final spasms, rock and crystal crumbling around them. Sliding, crunching sounds, unimaginably loud. They were lost, all of them, irretrievably lost, but Jor-El and his wife ducked and flinched, as everything they’d ever known fell to pieces around them. They continued to move down the hall, looking for — what? shelter? a way out? No hope, no time, but still they kept moving. What else could they do?
The floor gave way. The population of Krypton, a proud and noble people, falling and crying and dying, every one. A great darkness. A final, splintering crunch, and then a burst of light and sound that no one was left to witness.
And then things really started to go badly.
Continue reading Superman 1.30: After Brando
Hang in there, folks; the credits are almost over. I’ve been using this journey through the opening titles to set up all the backstory before the film actually starts, and we’re almost there. But there’s one more piece of the story to tell, and it begins with a warning.
“Richard Lester had been suing the Salkinds for his money on Three and Four Musketeers, which he had never gotten,” said director Richard Donner. This is from a 1979 interview with the magazine Cinefantastique. “He told me he’s won a lot of his lawsuits, but each time he sued them in one country, they’d move to another — from Costa Rica to Panama to Switzerland. So when I took the picture, Richard Lester took me aside and said, ‘Don’t do it. Don’t work for them. I was told not to, but I did it. Now I’m telling you not to, but you’ll probably do it and end up telling the next guy.'”
But Donner didn’t listen; he agreed, and managed to direct about 75% of Superman and Superman II before they fired him. As it turned out, he didn’t have to warn the next guy, because the next guy was actually Richard Lester, signing on for another tour of duty with the Salkinds. On the whole, you should probably listen to harbingers; that’s what they’re there for.
Continue reading Superman 1.5: The Discovery of Fire