Tag Archives: masculinity

Episode 12: Batman v Superman: Dawn of Justice

The year was 1986, and two of the comics industry’s powerhouse creators — Frank Miller and Alan Moore — were busily deconstructing the dominant discourse around superheroes, poking at their flaws and suggesting a less sanitized, and more actively political way of thinking about them.

Alan Moore’s Watchmen and Frank Miller’s The Dark Knight Returns broke the rules of mainstream comic books, presenting complex takes on how modern society might actually respond if handsome gods fell from the sky, and vengeful vigilantes emerged from the shadows. They argued for a darker and more mature style of comics, with morally ambiguous heroes operating in a fallen world.

And then there’s Zack Snyder, who came along in the mid-2010s with the idea of taking scenes that he liked from The Dark Knight Returns and Watchmen, and stringing them together without thinking much about what they actually meant.

As we can see in 2016’s high-flying failure Batman v Superman: Dawn of Justice, Snyder mostly likes the growling and the punching, in a doomed world where strength is everything. Snyder’s characters are obsessed with dominating every situation that they’re in, from Batman vowing to make Superman bleed, all the way down to Perry White telling Clark Kent to shut up and write about sports.

This week on the podcast, I’m joined by Stephen Robinson from the hilarious political website Wonkette and the podcast The Play Typer Guy to deconstruct this deconstruction, and figure out why audiences didn’t take to this cartoon character fight club between superheroes that we can hardly recognize.

The podcast is available on Spotify, Apple Podcasts, Google Podcasts, YouTube, Overcast, Audible and lots of other places. Come check it out!

Continue reading Episode 12: Batman v Superman: Dawn of Justice

Swamp Thing 3.31: A Tale of Two Kisses

At this point in the movie, we know that eccentric millionaire Arcane wants three things: the girl, the notebook and the creature. His current high score is one out of three, and she’s probably not thrilled about being called “the girl” as often as she has, so far.

Agent Alice Cable is currently involved in a high-stakes game of keep-away involving the notebook, which is full of important secrets. The notebook is now in the care of the creature, who should be but is not currently destroying it by chucking it into the swamp water. I mean, if it’s vital for the world that Arcane doesn’t get his hands on the notebook — and I am not entirely convinced that it is — then why don’t they tear it up, dunk it in the water, and let the tannic acid take it from there?

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Superman II 2.35: Mainly About Hot Dogs

Well, after centuries of stories assuring us that sacrificing something for true love is admirable and worthwhile, we finally have a movie that begs to differ.

Superman II tells us that making sacrifices for love is selfish, and it benefits bullies who try to take over the world. That’s why there are so many bullies currently running things. People need to keep that in mind.

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Superman II 2.33: Who You Callin’ Kleenex?

You have to be careful with stories, especially the big mythological ones.

If you leave them sitting around in people’s brains for long enough, stories become ideas, and then ideas become attitudes, which become worldviews. And that’s not a linear process, obviously. Your attitudes affect how you interpret stories, and how you choose the kinds of stories you’re interested in engaging with.

At a certain point, you’re not telling stories anymore. The stories are telling you.

Continue reading Superman II 2.33: Who You Callin’ Kleenex?

Superman II 2.32: Mama Don’t Preach

Man, don’t turn your back on Superman during date night is the lesson of the day. After their champagne dinner at the Fortress of Not As Much Solitude As Usual, Lois excuses herself to change into something more comfortable, and I can’t imagine what that means, since she’s never been here before and they didn’t arrive with luggage.

But while she’s out of the room, Superman takes the opportunity to call his mom and tell her that he’s quitting his job, which is probably something that he and Lois should have discussed first.

“If this is what you wish,” Lara tells him, based on a procedurally-generated AI conversation from the distant past, “if you intend to live your life with a mortal — you must live as a mortal. You must become one of them.”

So I’ve got a question that I’m not sure they’ve considered: How come?

Continue reading Superman II 2.32: Mama Don’t Preach