“It is forbidden for you to interfere in human history,” Jor-El says, and to the limited extent that means anything, he’s sincere about it. In Superman: The Movie, we’re supposed to admire the crystal palaces of Krypton, but the point of the film is the development of Superman’s connection to everyday life on Earth. Sure, there’s a galaxy-spanning backstory in there, but ultimately, the thing that’s really important is Earth, and real people. And then there’s Eternals, the new Marvel Studios movie that has kind of a different take on that question.
In this blog, I’m telling the story of how blockbuster superhero movies developed into a dominant cultural force, starting in 1978 with Superman and moving on chronologically from there. So far, I’m about an hour into the first movie, and there’s a long way to go. But out in the real world, that history is still going on, so when a new movie is released, I take a look at what’s happening in popcorn world, and what it has to do with the movie I’m currently writing about. Last month, I wrote about the Spider-Man spinoff Venom: Let There Be Carnage, and this weekend, the latest movie is Marvel Studios’ Eternals.
Honestly, I can’t think of a movie more appropriate for this treatment, because Eternals asserts that all of history was influenced by a set of gorgeous extraterrestrial cover models, who are responsible for every good idea in human civilization, specifically including Superman. Apparently, I’ve been writing about these people all along.