Tag Archives: doors

Superman 1.86: Another Day, Another Door

So this is why we don’t call Superman the World’s Greatest Detective; for a guy with super-speed, he’s a bit slow on the uptake. Lex Luthor has been sneaking around in the underbelly of this movie for almost an hour, stealing meteorites and messing with missiles, and Superman literally doesn’t even know who Luthor is until he gets hit with the villain’s supersonic Grindr profile.

I mean, I know it’s his plan, but Lex has to be a little put-out that he’s sitting there — 1.3 miles away, 48 years old, looking for Chat, Dates, Gloating and Comeuppance — and the only way to get his dream guy’s attention is to tell every dog in town how lonely he is.

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Superman 1.51: The Long Walk

At the end of a hectic day at the newsroom, Clark asks Lois if she’d like to go to dinner. Lois says that she can’t, because she’s going to the airport to interview the President, end of scene.

That’s a simple bit of dialogue that the characters could deliver at their desks in about thirty seconds. Instead, Richard Donner turns this moment into a screwball comedy masterpiece, using a single tracking shot with dozens of extras bustling around the crowded newsroom.

Everybody pays attention to the helicopter rescue scene, which is coming up next, but in my opinion, you can’t beat this walk-and-talk scene, which does it backwards and in high heels.

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Superman 1.47: Lair Life

The chilly splendor of the Fortress of Solitude interior, the glass-lined maze of the Daily Planet newsroom, the unbelievably well-landscaped jungle of Lois Lane’s balcony — Superman: The Movie is full of enormous art installations for the characters to live, work and fight in. But the most spectacular of all is Lex Luthor’s lair, two hundred feet below Park Avenue.

Overstuffed and shabby chic, this subterranean museum of crime is the perfect hideout for a villain who’s trying to convince the audience that he’s important, in a hurry. Luthor enters the film with a messy murder that immediately establishes his villainous credentials, but after that, he spends a lot of the movie just hanging around downstairs. Superman gets to fly around catching crooks and saving the day, while the villain sits in the basement, reading back issues of National Geographic. If he’s going to get any respect from the audience, then that needs to be a damn impressive basement.

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Superman 1.1: Jesus Saves But Mostly He Saves Lois Lane

It’s a delicious fakeout. Nobody had seen a big budget movie based on a comic book before, and didn’t know what to expect. So when the movie opens with a little boy reading aloud from a comic book, it looks like all of your worst fears have come true.

Continue reading Superman 1.1: Jesus Saves But Mostly He Saves Lois Lane