The telephone trills.
It’s mid-November 1978 in sunny Los Angeles, and all four of the Warner Brothers, seated at their identical desks, reach for their four matching telephone receivers. “Hello?” they chirp, in unison. “These are the Warner Brothers.”
“Good afternoon, Mizter Brothers,” says the voice, in an imaginary Russo-Swiss-Mexican accent. “Zis is Alexander Salkind.”
Mr. Salkind is the executive producer of Superman: The Movie and the head of a bumbling, crumbling international crime syndicate, and he’s making a transatlantic person-to-persons call to make Warner Bros. an offer that they can’t refuse.