Let’s see… Knight Rider, Manimal, The Fall Guy, The A-Team… a mini-series called Ocean, and a horror movie called Nutcracker… and then there’s Fallen Angels, Used, The Steppes, and The House That Wept Blood.
Phew! I’m in the clear. David Hess, who unfortunately plays Ferret in Swamp Thing, has twenty-seven more credits on IMDb, and none of them are superhero movies. So unless I decide to write about terrible horror movies from the 2000s, which obviously I won’t, then this is the last time I ever need to look David Hess in the face again. You have no idea how comforting that is to me.
Continue reading Swamp Thing 3.32: Mostly Armless
So here’s the thing: I’m currently telling the story of the development of blockbuster superhero movies in chronological order, and at the moment, I’ve only gotten as far as 27 minutes into the genre’s first film, 1978’s Superman: The Movie.
But while I’m doing that, the world is moving on, churning out new superhero movies at an unbelievable clip, and leaving me even further behind. Out in the world, this history is still unfolding, and if I ignored what’s happening right now, then this project would be a dusty museum piece, rather than a living story that’s connected to who and where we currently are.
So when a new superhero movie is released — which at this point might as well be every couple of weeks — I’m going to write a weekend popcorn post, comparing the new film with the movie that I’m currently writing about, to draw connections between them, and explore where this genre is headed. As of this weekend, the latest release is Sony’s Spider-Man spinoff Venom: Let There Be Carnage, which as far as tone is concerned is about as far away from Superman: The Movie as you can get.
Here we stand, on a family farm in Smallville, Kansas, where Jonathan Kent is about to deliver some inspirational words of advice about restraining our darker impulses in order to find our true purpose in life, and then along comes Venom, who encourages us to do exactly the opposite.
Continue reading Venom: Let There Be Carnage 91.1: The Murderability of Crowds