Metropolis, at last! After forty-seven minutes and six weeks of blog posts, we are finally making landfall on the scene of an actual Superman movie.
Metropolis is the big time, where an up-and-coming newshound and secret frequent flyer from the Midwest can find his true calling — scoops to break, women to fall helplessly in love with, and super-villains to discourage. Complex and thrilling, the City of Tomorrow has all of the promise, danger and heartbreak that a newbie superhero needs, to discover what he’s truly capable of. Also, it’s New York.
Continue reading Superman 1.31: Metropolis Now
So here’s the thing: I’m currently telling the story of the development of blockbuster superhero movies in chronological order, and at the moment, I’ve only gotten as far as 27 minutes into the genre’s first film, 1978’s Superman: The Movie.
But while I’m doing that, the world is moving on, churning out new superhero movies at an unbelievable clip, and leaving me even further behind. Out in the world, this history is still unfolding, and if I ignored what’s happening right now, then this project would be a dusty museum piece, rather than a living story that’s connected to who and where we currently are.
So when a new superhero movie is released — which at this point might as well be every couple of weeks — I want to take the time to compare the new film with the movie that I’m currently writing about, to draw connections between them, and explore where this genre is headed. As of this weekend, the latest release is Sony’s Spider-Man spinoff Venom: Let There Be Carnage, which as far as tone is concerned is about as far away from Superman: The Movie as you can get.
Here we stand, on a family farm in Smallville, Kansas, where Jonathan Kent is about to deliver some inspirational words of advice about restraining our darker impulses in order to find our true purpose in life, and then along comes Venom, who encourages us to do exactly the opposite.
Continue reading Venom: Let There Be Carnage 91.1: The Murderability of Crowds