“So what were your feelings about the film, once it was finished?” the friendly voice on the DVD asks director Wes Craven. “Did you have any, you know… expectations?”
“No,” Wes sighs. “And, you know, I didn’t work for two years after that. I felt like I’d had my chance and kind of blown it, and would probably never work again.”
Now, this is my third time approaching a movie like this, and what I’ve learned so far is that the DVD commentary helps me to define what the genre of this story is going to be. When I was talking about the making of Superman and Superman II, the story was a true crime podcast. For Swamp Thing, it’s a comedy of errors.
Continue reading Swamp Thing 3.3: It Wasn’t Wes’ Fault
“I think it’s been a little bit overanalyzed,” says Ilya Salkind, “because, really, a lot of the decisions were pretty logical and common sense. I want to clarify a little bit, because it’s much simpler than all of the things that have been said. I mean, Richard Donner did a fantastic first film, as we all know, and it was a tremendous success, and what happened after was really, I would say, normal film history. Things happened.”
Okay, great, so that’s all cleared up. It was normal film history! I don’t know why I didn’t think of that.
Continue reading Superman II 2.2: It Wasn’t Ilya’s Fault
Snap, crackle, pop. Apparently, there’s an electrical power station somewhere in the Western hemisphere that’s experiencing some kind of electricity related fiasco.
“Watch that cable!” someone cries, like it’s my job to watch cables. “Someone try to pull the lead!” Somebody else shouts, “It’s impossible, it’s red hot!” There doesn’t seem to be a protocol for this kind of situation.
But Superman flies in, and he flips a big switch, which turns everything off and saves everyone. Then he points at somebody and says, “Gentlemen, is that man all right?” And I’m like, what man?
Continue reading Superman 1.95: Speak Truth to Power