It’s impossible, of course. Falling object LL descending distance d at velocity v for a given time t, being met by rising object S at acceleration a, with v equal to a times t, and d equal to one-half a times t squared, would result in falling object LL rapidly disassembling into her component parts, some on rising object S and quite a bit on the ground g, making a terrible mess and putting the kibosh on the romance like you wouldn’t believe.
So overall I think it’s best if we stress the fiction more than the science here, and focus on the matter at hand. A handsome man from beyond the stars has suddenly appeared directly under Lois, sweeping aside the laws of physics for her immediate benefit.
“Easy, miss,” he assures her. “I’ve got you.”
Her surprised squeak of a response — “You’ve got me? Who’s got you?” — is one of the great moments in American cinema, partly because her comic timing and the crack in her voice are utterly perfect, but also because she’s expressing the surprise and anxiety of a person who suddenly finds herself starring in a different movie than the one that she thought she was in.
It’s easy to imagine this scene going wrong; all you’d need is for Lois to be grateful rather than horrified. “Oh, thank goodness,” she would say, “I thought I was falling to my death, but here you are and you’ve saved me, hurrah!” And then she’d wave to the crowd like a homecoming queen, instantly comfortable with the idea that gravity is backwards.
What Lois is actually expressing is more along the lines of, “Holy shit, what’s happening? What the fuck are you, and what are you doing to me?” I mean, obviously she’s pleased that she’s moving away from the ground rather than smacking directly into it, but she’s fallen into the clutches of a monster from outer space, and that’s going to take a minute to get used to.
Continue reading Superman 1.56: The Catch