Well, you know what they say: there are two sides to every story, and vice versa. The other day, I told you about the narrative pressures in the early days that encouraged the writers of the Superman comic books and radio show to change the characterization of Lois Lane, gradually making her more friendly towards Clark so that the two of them could get involved in a wider variety of stories.
But that change in Superman’s universe caused an equal and opposite reaction — creating a flip side, parallel version of Lois from the upside down, who gradually turned darker and meaner, until she became Superman’s first recurring supervillain. It’s time to break the silence about the year of evil Lois clones.
Continue reading Superman 1.40: Everyone Looks Like Lois
Superman: The Movie was the first feature-length blockbuster superhero film, and at the time, it was hard to imagine what that would actually be like. Would it be a self-consciously silly romp, like the 1966 Batman film based on the campy TV show? What would it look like, once you put a guy in blue tights and a red cape, and strung him up on wires?
The producers, Alex and Ilya Salkind, were constantly announcing that they were spending the most money in history to make the grandest movie in history, but they were hucksters, and nobody knew if they could pull it off.
Co-producer Pierre Spengler’s negotiation with DC Comics for the film rights took two and a half months, because DC was concerned that the project could turn into an embarrassing flop, which would reflect badly on their marquee character. According to a Variety article, when they finished, it was “spelled out in the contracts that the performers signed to play both Superman and Lois Lane must have had no connection whatsoever with pornographic films.”
So that tells you how low DC’s expectations were, for this project. They actually thought it was possible that the Salkinds would hire porn stars to play Superman and Lois.
Continue reading Superman 1.35: The Dentist